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“"God" is a term for mystery explored in story.”

—   Robert Jensen, All My Bones Shake

“Even here, we go carefully, for cartography itself is not a neutral activity. The drawing of maps is full of colonial echoes. The civilised eye seeks to view the world from above, as something we can stand over and survey. The Uncivilised writer knows the world is, rather, something we are enmeshed in — a patchwork and a framework of places, experiences, sights, smells, sounds. Maps can lead, but can also mislead. Our maps must be the kind sketched in the dust with a stick, washed away by the next rain. They can be read only by those who ask to see them, and they cannot be bought.”

—   Dark Mountain Manifesto; http://dark-mountain.net/about/manifesto/

“If the response of the corporate state is repression rather than reform then our strategy and our tactics must be different. We will have to cease our appealing to the system. We will have to view the state, including the Democratic Party, as antagonistic to genuine reform. We will have to speak in the language of … revolution. We will have to carry out acts of civil disobedience that seek to cripple the mechanisms of corporate power. The corporate elites, blinded by their lust for profit and foolish enough to believe they can protect themselves from climate change, will not veer from our path towards ecocide unless they are forced from power. And this means the beginning of a titanic clash between our corporate masters and ourselves.”

“One crucial issue today is what role might intellectuals and matters of civic courage, engaged citizenship, and the educative nature of politics play as part of a sustained effort to resurrect the memory of Hiroshima as both a warning and a signpost for rethinking the nature of collective struggle, reclaiming the radical imagination, and producing a sustained politics aimed at abolishing nuclear weapons forever. One issue would be to revisit the conditions that made Hiroshima and Nagasaki possible, to explore how militarism and a kind of technological fanaticism merged under the star of scientific rationality. Another step forward would be to make clear what the effects of such weapons are, to disclose the manufactured lie that such weapons make us safe. Indeed, this suggests the need for intellectuals, artists and other cultural workers to use their skills, resources and connections to develop massive educational campaigns.”

“Our current style of anti-immigrant policing—of which climate change will surely bring more—is eroding civil liberties and thus fundamentally transforming America, returning the nation to its more primitive condition: a herrenvolk democracy based on segregation and routine violence, in which race and nationality mask raw class power.”

—   Christian Parenti, Tropic of Chaos

“What is the most valuable thing that critics do? We point the audiences toward exciting new work, new directors, new performers, new themes; we make connections among a wide variety of films, coax out an impulse, a tendency from the ground plan or the unconscious of a movie and make it part of history, politics, or a director’s biography. Evocation, interpretation, evaluation, resistance to the industry, defense of the artists, an accounting with history and an opening to the future - the tasks remain the same as ever.”

—   David Denby, Do the Movies Have a Future

“What someone’s lies reveal about them (aspirations to being an accomplished writer, fantasies of an exotic history and a cosmopolitan family) are always sadder than the fact of the lies themselves. These inventions illuminate the negative spaces of someone’s self-image, their vanity and insecurities and most childish wishes, as we can infer from warped starlight the presence of a far vaster mass of dark matter.”

—   Tim Kreider, ”The Czar’s Daughter” in We Learn Nothing
Paul Auster, The Locked Room

“Once I started to understand the nature of illegitimate structures of authority, I realized that people (including me) were not inherently evil or stupid, and that human nature (including mine) was complex and sometimes maddening, but not inherently aimed at the destruction of the world.”

—   Robert Jensen, Citizens of the Empire, (Jensen contra Gray)

“Folklore is the boiled-down juice of human living.”

—   Zora Neale Hurston